A few weeks ago, I sang at
the Cape Cultural Collective’s October event. A special aspect of being part of
any of their monthly events is that I get to watch - and sometimes, meet –
really interesting artists.
In October, the programme consisted of:
drag artist, Manilla Von Teez, poets Tasneem Daniels and Sibulelo Manamatela, dancer
Darion Adams, rapper Riyaad Riyo Samang, actor-magician Charles Tertiens, jazz
singer Joe Schaffers, poet and artist Zulfa Abrahams, singer-songwriter, Byron
Clarke, and me. Needless to say, it blew my mind to be on the same programme as
these talented people. I sat in awe, watching them, as they performed their
work, each one excellent.
I always leave these
evenings inspired, and that night was no exception. One of the people whose
story touched me was Zulfa Abrahams. On display in the performance area were
some of her paintings, all portraits of women (faces only), and she read an
extract from her recently-published poetry compilation, “I Am the Rose”. She
commented, when talking to the audience, that people generally regarded her as
a bubbly, happy person, but that all her art was sad. I looked at her paintings
again, and she was right – all the faces on her canvases had intense
expressions. And they were all beautiful.
I started thinking about
the songs I like singing, and the songs I write. Many of them are decidedly melancholic.
I could easily sing a whole night of bittersweet songs – in fact, I have to
plan my performance repertoire carefully, so that I give my audience a wider range.
I thought about the dancer, Darion, and how dark some of his dancing had been –
powerful, riveting, and dark. Even the poetry that was read had dark, sad
themes. I admired the way Zulfa had handled the topic of her sad portraits – unapologetically
claiming it for what it was. She inspired me, and gave me the permission I
hadn’t given myself, to be truly at peace with my own sad art.
These are my thoughts on
the happy-person-producing-sad-art issue: when we’re growing up, we’re given strong
messages as to which emotions are socially acceptable and which are not. Parents
and others give positive reinforcement for the brighter emotions, and we grow
up learning, through experience, that people like us better when we’re happy. In
contrast, what do people instinctively say to a crying child? “Don’t cry.” “Why
are you sad?” “Cheer up!” We don’t allow people to be sad – we immediately want
to fix it up, sort it out, make it go away. We so desperately want people
around us to be happy all the time. This can put immense pressure on us, and
cause complications, later on.
I remember when my son was
a young child, we’d see him becoming tearful, and we’d ask him what was
‘wrong’. He’d say, “The music’s making me sad.” We realised that classical
music, especially orchestral music, moved him to tears. I distinctly remember one
day I went to switch the music off – in an attempt to remove the source of his
‘sadness’ – and he asked me not to. I was surprised, but I understood, in that
moment, that he was an intensely sensitive child, and that he somehow knew it
was perfectly fine to feel what he was feeling, and that the music should in
fact continue playing and continue stirring him. It was one of those profound moments
in my journey of motherhood. When we keep ourselves attuned, and don’t assume
superiority, we can learn from the most unexpected sources.
Now that he’s a
young man, and is working on the different art forms at which he excels (music,
art and writing), I can see that his sensitivity is one of his strengths, and
always has been.
I remember the late
actress, Elizabeth Taylor, saying, in an interview, that she had no problem
showing anger (another frowned-upon emotion), in all her relationships, because
she believed that the people we love need to know the full extent of who we
are. I like that. I think it’s unhealthy to pretend to be happy all the time,
because we possess such a wide range of emotions.
In conclusion, I’d like to
say that if, for whatever reason, we end up showing our ‘darker’ sides mainly
through the art we produce – be it poetry, paintings, sculptures, songs or any
other form - then so be it. Some of the
most beautiful work that has been produced, over the centuries, has come from the
deeper, darker sides of highly sensitive people.
30/10/15 - Old Slave Church Museum, at the Cape Cultural Collective's concert.